I wasn't entirely thrilled with the news that Brett Ratner was bringing Axel Foley back to the screen with Beverly Hills Cop IV. But the news that it would be made kid friendly just completely killed it, along with the statement: "10-year-old kids, 12-year-old kids don't really know the old Beverly Hills Cop. So it's an opportunity to make it new for kids." How thoughtful. I'm sure the tykes were sitting there, realizing that something was missing from their lives ... Norbit as a cop! That's it!

Anyhow, it looks like Sam might be getting his wish, and that Eddie Murphy wasn't thrilled with the sequel idea either. He spoke to ExtraTV, and said he's planning to leave the movie biz after the release of his latest film, Meet Dave. Now that doesn't mean it'll be Eddie's last (he's also got flicks like A Thousand Words on the way), but it does look like Dave will inspire a big, finite wave to the movie industry so that Murphy can "go back to the stage and do standup."

So, what about BHC? He said he didn't want to do it because "the movie wasn't ready to be done." On Bev III, Murphy noted: "They said, 'this is how much we're going to pay you.' I said, 'let's go shoot it! I don't care if the script ain't right.'" Some sites are taking his first statement to mean he's out, while others think he is still in and itching to do it. If he really is retiring, then he's definitely out, and Ratner will have to find a new Foley, or give up the project. Let's hope he's done and it's the latter.

UPDATE: Latino Review spoke to Ratner recently who debunked the "it's for kids" rumors, saying "Dont believe everything you read on the internet. Believe me, this is going to be a hard core 'R' Beverly Hills Cop. I start shooting next year" So ... is Eddie in or he is out?

Ed Note: Corrected the quote since it's clear he was talking Bev III and not IV.

... And you thought the announcement of Beverly Hills Cop IV meant Eddie Murphy was returning to his old potty mouth days. Well, think again, movie fans. The director who ruined the X-Men franchise and the studio that nearly ruined the Indiana Jones franchise is about to ruin the Beverly Hills Cop franchise. Unless the third one already did that (I actually skipped it, so I'm unsure). Brett Ratner, who is signed on to helm the return of Axel Foley (Murphy), told MTV Movies Blog the following bit of sacrilege: "10-year-old kids, 12-year-old kids don't really know the old 'Beverly Hills Cop.' So it's an opportunity to make it new for kids. The same way it felt for me watching 'Beverly Hills Cop' when I was a kid, that's what I want to do for kids today."

Except that when you were a kid, Brett, a movie like Beverly Hills Cop could be made and marketed for all ages despite its R rating. Plus you were 15 when the original came out. Not 10 or 12. Me, I was 7, and I saw it in the theater. And I saw the second one, also R-rated, in the theater at the age of 10. So, I understand that it's fine to let the wee ones see them. But, realistically, you can't make another R-rated BHC and publicly say it's for kids nor can you make a PG or PG-13 BHC and expect it to be anything like it was for you.

Wasn't there a prophecy of Nostradamus about this? Someone go look.

Variety announced that, inspired by the success of Indiana Jones IV, Paramount has green-lit a fourth installment of Beverley Hills Cop. Eddie Murphy will return to play Axel Foley. Brett Ratner will direct. (I hear the cries of "doom!" from the Internet.) The movie is set to begin filming next year, with a 2010 release.

Murphy's actually the brainchild behind the idea -- and with the way his public image has fallen, it's no wonder he would love a return to the role that made him a megastar. Now we know what he was doing over the holiday weekend! Watching everything from Lethal Weapon 4 to Crystal Skull, saying "I could do that ... again!" (Or perhaps it was to redeem the title from Beverly Hills Chihuahua.)

It's Eddie Murphy ... in Eddie Murphy!

While the premise for Murphy's latest film, Meet Dave, definitely had some potential (think: Innerspace), I'm not so sure this new trailer brings all the boys to the yard, if you know what I mean. Here, Norbit director Brian Robbins re-teams with Murphy on a film that tells of a crew of miniature human-looking aliens whose human-looking spaceship walks around Earth doing funny things. Though, originally, they set out to save their planet, problems arise when their spaceship (in the form of Eddie Murphy) falls for a regular Earth girl (Elizabeth Banks).

Murphy looks to be using a combination of his Coming to America accent and his usual shtick for the spaceship character, and then he also plays the miniature alien operating said spaceship. Cue up a ton of fish out of water jokes, a few raunchy set pieces and a good amount of special effects -- and, well, Meet Dave. The film's July 11 release date will definitely secure a healthy box office take, especially since all our brains will be in dumb, popcorn summer mode. Check out the trailer above (or in a better quality over at Yahoo), then let us know what you think.

Sure, it's the time of Sundance, and the push towards the Oscars, but it is also the time of the Razzies! There's a million and two fests and awards ceremonies that tout all that is good in the world of cinema, but sometimes, you just want to revel in the bad. So, enter the yearly Golden Raspberry Awards.

Last year, the big, battling losers were Basic Instinct 2 and Little Man. This year, LiLo's I Know Who Killed Me is battling I Now Pronounce You Chuck & Larry and Eddie Murphy's Norbit. Miss Lohan's film has scored the first hurrah by grabbing the most nods (9 over Larry and Norbit's 8), but Eddie got the personal title with a record-setting five nods just for himself.

Rounding out the top stinker nomination-grabbers was Bratz, Daddy Day Camp, and Captivity. On the actor side of things, we've got talent wasting their abilities like Jim Carrey, Cuba Gooding Jr., and Julia Ormond, while others aren't so surprising -- Carmen Electra, Dane Cook, or Jessica Alba. (The last on this list, Alba, also scored herself romantic doom -- she hit the worst on-screen couple nod three times for her work in Awake, Good Luck Chuck, and Fantastic Four: Rise of the Silver Surfer).

Also, I give big props to the Razzie folks for their Patty Duke reference. See what I mean after the jump.

Yesterday, we unloaded a bunch of movie pics on you from Universal Pictures upcoming 2008 slate (including two new pics from The Incredible Hulk). Today, we have a few more for you, courtesy of Universal once again, as well as a few other studios who have also unveiled their 2008 calendar. The first image (see above) is from 20th Century Fox's upcoming comedy What Happens in Vegas, starring Ashton Kutcher and Cameron Diaz. The photo comes with the caption: "A night of debauchery culminated with impromptu - and soon regretted - nuptials for Ashton Kutcher and Cameron Diaz in What Happens in Vegas." Considering these are two of the most annoying actors working today, here's hoping what happens in Vegas stays in Vegas. Zing!

From Disney's official 2008 preview comes the first image from the animated film Bolt, which you can view below. Bolt stars the voice of John Travolta as a dog who is the star of a hit TV show. However, when Bolt accidentally gets shipped from his Hollywood soundstage to New York City, he sets out on a cross-country trip through the real world. Here's more from the synopsis: "Armed only with the delusions that all his amazing feats and powers are real, and with the help of two unlikely traveling companions: a jaded, abandoned housecat named Mittens (voice of Susie Essman) and a TV-obsessed hamster in a plastic ball named Rhino, Bolt discovers he doesn't need superpowers to be a hero."

In a recent article for Cinematical, I wrote: "Too often, Asian-American actors are relegated to bit parts (the food delivery guy, gangster #3, mysterious prostitute) simply because of their race." Historically, there's another reason why Asian-American actors have not been cast in leading roles, even when the role is that of an Asian or Asian-American character: the "yellow face" factor, in which a non-Asian actor is cast as an Asian.

Playwright/actor David Henry Hwang has written a play with that title, which was inspired by the controversy that arose in the early 1990s when non-Asian actor Jonathan Pryce was cast as a Eurasian character in the original stage production of Miss Saigon. (Hwang's play opens shortly off-Broadway in New York.) Robert B. Ito wrote a biting article on the subject in Bright Lights Film Journal that gave historical context.

Philip W. Chung commented on the phenomenon last week in AsianWeek: "Often, these 'yellow face' performances [by non-Asian actors] both reinforced and embodied all the negative stereotypes -- funny accent, slanted eyes, buck teeth, and enough 'Orientalism' to send the yellow fever meter through the roof." Chung compiled a list of 25 "yellow face" film performances "that have arguably had the most impact on our cultural landscape." Last week's article counted down from #25 to #11.

Chung starts off his list with a recent example -- Christopher Walken in Balls of Fury -- and then stretches back to Richard Barthelmess in D. W. Griffith's Broken Blossoms (1919), which he says formed a "template for Hollywood's take on Asian men ... unrealistically noble, feminine and utterly asexual." Chung takes a fascinating skip through the decades and points out "yellow face" performances by Fisher Stevens (#20), Eddie Murphy (#18) and Peter Lorre (#13).

AsianWeek's Top 10 will be counted down this week. Who do you think should be included on the list?

If you wondered when it came out if there needed to be a third Shrek film, all you need to do is ask the kids. Adults may be growing tired of the clever plays on modernity -- mascot contests, bubblegum-blowing teeny-boppers, endless takes on modern store names made to sound "fairy-taleish" -- but kids never seem to tire of the toilet humor that permeates the Shrek series.

The advantage of making a film with ogres and a donkey at the center is that you can acutally (kind of) justify the endless stream of projectile vomiting and fart jokes, and my own kids, at least, never seem to tire of them. And when you have the film on DVD, well, they can rewind to watch the baby spewing green-pea vomit out of the baby carriage over, and over, and over again. So, rejoice, parents, Shrek the Third is here.

Actually, for a third film in a series, Shrek the Third isn't a terrible effort. While it's not as strong as the first two films (the second was surprisingly good for a sequel) and at times it feels that the filmmakers are really reaching by stretching the franchise to support a third film, if you compare it to, say, the dreadful Happily N'Ever After, it's pretty tolerable. Any time you can find a kids' film that the adults in the household can stomach watching multiple times, that's a good thing -- but you might want to make sure to have Shrek and Shrek 2 on hand as well.

Director Brian Robbins' name keeps popping up, and still, all I can think is: "Hey, it's that middle-of-the-road actor from the '80s." He had a bunch of 1-episode stints on the big, classic shows from that decade like Cagney & Lacey, The Facts of Life, Three's Company, and Knight Rider before nabbing the part of Eric on Head of the Class. He's the guy who had the little, black and white pictures in my issues of Teen Beat because the Coreys, the Brat Pack, and other cuties ruled the color spreads. But he's actually had a lot more success directing, mainly in that uber-fluffy sort of way. These days, he's got a directorial man-crush on Eddie Murphy and the projects just keep coming.

They brought us Norbit, we're about to get a little Starship Dave, and now Variety reports that they will team up for a DreamWorks comedy called A Thousand Words. To give the duo credit, it's an interesting idea: the movie will focus on "a glib man who finds out that he has only 1,000 words left to speak before he dies." Steve Koren, the guy who penned Click, wrote the screenplay. This being said, it all depends on execution, and it doesn't help that they want to rush this before the strike. But that might just be a little tricky -- Murphy has a slew of projects stacking up, from Nowhereland to Fantasy Island. But get ready, sports fans! At some point, we'll probably have yet another battle between the critics and those who love the world of Robbins!

I have absolutely no idea why, but I'm kind of into Eddie Murphy's new family comedy called NowhereLand. I should be having flashbacks to the disappointing roles he's taken on over the last decade. I could go on and on about how much of a bummer it was that they could make Pirates of the Caribbean into a great series, and then flounder so pitifully with my favorite ride -- The Haunted Mansion. But forget Disney. NowhereLand is about a man named Evan who solves his work problems by exploring the fantasy world of his six-year-old daughter. It's the sort of flick that could be really good if it has some smarts, and I'm hoping that producer Lorenzo di Bonaventura is right when he says this is a role Murphy hasn't played before. I think Eddie not becoming five million different characters would be a good first step. However, I'm probably putting too many positive expectations on this project.

But on to the new castmates that The Hollywood Reporter just announced. Murphy and Thomas Haden Church (who will play his ruthless co-worker) are being joined by Brown Sugar's Nicole Ari Parker, DeRay Davis from License to Wed and ol' Beverly Hills Cop alum Ronny Cox. Parker will play Evan's estranged wife, who can't understand his preoccupation with their daughter's imaginary world, Davis plays his best friend -- "a therapist who calls himself the Man Whisperer and believes that all Evan needs to overcome his troubles is a good cry," and finally Cox plays the boss of a capital fund group who thinks Evan is doing some insider trading, but doesn't care as long as it works. Now all we need is the young tyke and we'll be set.