Cinematical

Spike Lee and Disney might sound like a pretty odd combination, but I don't really see it that way. (Lest we forget that the excellent 25th Hour was a Disney production.) Love the guy or not, Spike Lee has turned into quite the eclectic filmmaker over the last few decades -- and so when I heard that the guy was helming a $50 million WWII drama for Disney, I was intrigued but not surprised. Based on the book by James McBride -- and adapted for the screen by same -- Miracle at St. Anna tells the tale of four black soldiers who find themselves stuck behind enemy lines in Italy.

Opening September 26, St. Anna stars Derek Luke, Michael Ealy, Laz Alonso, and Omar Benson Miller. Also on board are John Turturro, D.B. Sweeney, Kerry Washington, John Leguizamo, and Joseph Gordon-Levitt. Riding high after his last feature film (the solid and profitable Inside Man), Mr. Lee looks to be moving into "Oscar-friendly" territory again with St. Anna -- and I know I'm not the only movie fan who's curious to Lee's first big war movie.

Now here's a fun little scoop from IESB.net: Turns out that not only will Jodi "Ariel" Benson be returning to the Toy Story series to reprise her role as the legendary Barbie (such a doll) , but this time she'll be dragging her boyfriend into the story. And according to IESB, that Ken doll's voice will be provided by none other than Michael Keaton. So that's why you cover the press junkets for video flicks like The Little Mermaid: Ariel's Beginning -- so you can score cool information like this.

Best known as Batman, Beetlejuice, Johnny Dangerously, and Mr. Mom, the always-cool Keaton is no stranger to the voice acting business. He recently did some fine work in Pixar's Cars, and his pipes can also be heard in certain episodes of King of the Hill and The Simpsons. Anime fans will remember that Keaton also provided a voice for the U.S. version of Miyazaki's Crimson Pig (aka Porco Rosso) back in '92.

Mr. Keaton would be joining a very familiar crew: Returning for round three are Tom Hanks, Tim Allen, Joan Cusack, Don Rickles, Estelle Harris, Wallace Shawn, and (of course) John Ratzenberger. Toy Story 3 -- which apparently centers around our favorite playthings' misadventures at a day-care center -- won't hit theaters until the summer of 2010, but if that's how long it takes to make a worthy follow-up to two of the sweetest animated films ever made ... then 2010 it is. Obviously we'll bring you the latest on TS3 as soon as it pops up.

A few years back everyone was going crazy with the "re-discovery" of Johnny Depp -- just because the longtime performer scored a hit with a big-budget blockbuster. But movie geeks who grew up in the '80s and '90s were left a little bit confused by all the buzz. "Uh," we mused, "Johnny Depp's been kicking ass for over two decades now, and it takes the BOX OFFICE to tell us he's so cool??" And this summer it's Mr. Robert Downey Jr. After his powerful one-two punch of Iron Man and Tropic Thunder (and the Oscar-friendly The Soloist right around the corner), everyone seems to be falling all over the actor.

Granted, the actor's unpleasant history with drugs and prison certainly makes for a great "comeback" tale, and Downey really deserves it ... but even at his lowest and most drug-addled moments, this guy was delivering very good performances. I'll skip the obvious ones of Less Than Zero (his breakout) and Chaplin (his Oscar nom), but just to remind you that there was a lot of life before Tony Stark and Kirk Lazarus, I offer you seven of my very favorite Robert Downey Jr. performances.

Weird Science (1985) -- I distinctly remember seeing this movie during its theatrical run, and during the scene in which Downey dumps a slushee onto the heads of our heroes, I thought "This actor plays a really good jerkface." Little did I know I was watching the future Iron Man bully nerds -- plus his character was the one who recommended that "virtual girl" Kelly LeBrock receive "larger breasts," although that's not a direct quote from the film. (Bonus performance: Bill Paxton as ANOTHER big jerk.)

The Halloween series has its own documentary. As does the Psycho series, the Jaws series ... Hell, even Troll 2 has its own documentary. So it's perfectly OK with me if someone wants to pick up a camera, snag a bunch of interviews, and put together a nice, shiny Friday the 13th documentary. And according to Shock, that's precisely what someone is doing.

That person is Daniel Farrands, editor of Peter Bracke's stellar Crystal Lake Memories tome, screenwriter of Halloween 6 and The Girl Next Door, and producer of a DVD documentary for The Amityville Horror. So obviously this guy has the qualifications to produce a Friday the 13th doco. His Name Was Jason will premiere on the Starz channel next February, just in time for the swanky new remake of Friday the 13th. And you can probably expect the Anchor Bay Jason DVD to hit the shelves right around the time that remake hits digital. Along with a new box set from Paramount. You just watch.

Looks like I should head out to L.A. and give Dan a call. I'm like a Jason encyclopedia.

Time for yet another remake of a movie you only vaguely remember -- if at all. It's one of the biggest successes of the mega-prolific Larry Cohen's career, but It's Alive DID come out in 1974, and that's, like, ancient to horror fans of a certain age. Yes, it's the movie about a homicidal infant, and sure, it already spawned two sequels of its own (It Lives Again in 1978 and Island of the Alive in 1987... so I guess this makes it high time for the remake route.

The new version stars Bijou Philips and is helmed by Josef Rusnak, he of The Thirteenth Floor and the recent Art of War 2. According to the IMDb, Larry Cohen is still on board as a screenwriter, but he may have had no involvement besides saying OK and collecting a check. The release date (video, no doubt) on this Millennium Films title is still uncertain, but Bloody-D has a rather lengthy promo clip that ... doesn't look half-bad! Check it out here and share your thoughts, gorehounds, especially if you know (and enjoy) the original version.

P.S. You can get the whole "Alive" trilogy on DVD for about 14 bucks.

Self-serious superstar Tom Cruise pops up (nearly unrecognizably) in a supporting role in Ben Stiller's new comedy Tropic Thunder. Not much has been made of the performance in the press, but I for one think it represents a brilliant new land of opportunity for Mr. Cruise. Nothing makes a guy 'accessible' like a foul-mouthed and very funny performance in a surprisingly good comedy -- and all of those things apply here. I've always been pretty ambivalent about Tom Cruise -- I think he's an underrated actor and an overrated movie star -- but this is the first time he really "amazed" me since his shockingly raunchy (and quite excellent) performance in Paul Thomas Anderson's Magnolia.

At first I didn't even recognize Cruise in the film. I'd heard it mentioned that the actor had a supporting part in the flick, but I suppose I'd forgotten about it. When Cruise's character (a sleazy studio head called Les Grossman) first appeared on-screen, I was just sure it was a character actor named Enrico Colantoni. Not only because of the shocking resemblance -- but mainly because the guy playing the studio chief is drop-dead freakin' hilarious. The fact that I mistook Tom Cruise for Enrico Colantoni is a rather large compliment -- to Tom Cruise.

Coated with a bald-cap, a fat suit, and a thicket of wiry arm hair, Cruise powers through his scenes (mostly with Bill Hader and Matthew McConaughey) with tons of vulgarity, strangeness, and dancing. Yes, dancing. Frankly we've never seen Tom Cruise let his hair down in this wacky a fashion, and I'd like to thank Ben Stiller for making it happen. (When he's just an actor, Stiller's output can be distressingly inconsistent, but as a writer / director he's simply a lot more reliable. And infinitely funnier.)

So that's the discussion point for today: What did you think of Tom Cruise's work in Tropic Thunder? I'd see the flick again just for his X-rated telephone tirades. Bonus Topic: As amusing is he is, Cruise isn't even the funniest guy in the flick. That honor would go to Robert Downey Jr., who has earned himself one stellar summer of redemption. Good for you, Rob!

Ah yes, Charles Kaufman's Mother's Day. A fine vintage of 1980 sleazoid cheese that was absolutely one of the "dare you to watch it" horror flicks from my childhood. (My friends had such an aversion to explicit gore. What kind of twelve-year-olds was I pals with?) The Drano scene. The TV smash. The filthy mess, the incessant slobbering, the omnipresent threat of grungy rape. Such fun. It was actually one of Troma's earlier efforts, back when they made bad flicks by accident instead of on purpose. But there's no denying that Mother's Day is a sick and twisted little puppy, and a flick that any serious horror fan should definitely check out...

Especially because Brett Ratner wants to do a remake!! Whaaaaat? Yes. According to Shock, Ratner will produce and Saw-maker Darren Lynn Bousman is quite interested in the director's chair. And feel free to toss writer / producer Franck Khalfoun into this crazy mix. (He did that P2 flick with Alex Aja last year, and apparently has a remake of Silent Night Deadly Night in the works.) Details are slim at this early stage, but to be honest ... my opinion of Brett Ratner just raised a few points. Who knew he was a fan of such awesome crap?

A few weeks back we learned that flicks such as Jack Brooks: Monster Slayer, Let the Right One In, The Tingler and Eagle Eye would be playing at the fourth annual Fantastic Fest in Austin -- and now we have batch number two! (And if you're wondering why I give a little genre fest so much blog-love, all I'll say is "I guess you had to be there." But that phrase could easily translate into the present-tense "I guess you have to go there," if you catch my meaning.)

If you attend this year's event, you'll not only get to mock me -- to my face! -- at the infamous Fantastic Feud, but you'll also be able to catch movies like Acolytes, Wicked Lake, JCVD, Surveillance, Deadgirl, Santos, and Feast 2: Sloppy Seconds! Plus one of this year's themes is a very fun one: That of indie Australian cinema, especially stuff from the '70s and '80s. Of particular note in this department is the new doco Not Quite Hollywood, which looks to be sixteen flavors of Aussie insanity. Full press release on the newly-added features is available after the jump, but for a lot more information (including all the short films!), check out the Fantastic Fest website.

Ah yes, Sleepaway Camp. That ending still packs one wacky punch, doesn't it? Yeah. So here's a quick history lesson:

1983 -- Robert Hiltzik unleashes Sleepaway Camp unto the world. Ten of thousands of creeped-out teenagers can't stop talking about the ending.

1988 & 1989 -- One Michael A. Simpson delivered a pair of back-to-back video sequels: Sleepaway Camp 2: Unhappy Campers and Sleepaway Camp 3: Teenage Wasteland. Both are notable for their vicious violence, their goofy gore, and their lead actress, who happens to be Bruce Springsteen's little sister. I forget which movie had the "outhouse leeches" murder, but good lord was that scene disgusting.

2002 -- Anchor Bay releases the trilogy in a box set that ends up censored by the Red Cross. Included in the set is footage from an unfinished sequel called Sleepaway Camp 4: The Survivor.

Which bring us up to speed. We've been been hearing word for quite some time now that Hiltzik was working on a Part 4, and now we not only have a release date, but (courtesy of Shock) we also have a DVD cover (and a trailer) to look at. Vincent Pastore and Isaac Hayes star in the inevitably sticky slasher sequel, and the DVD will hit the shelves (on October 14) by way of Magnolia's new Magnet genre division. And you just gotta love that tag-line: "Kids can be so mean!"

(No, I'm not stoned. It's just that Pineapple Express opens today (8/6), but my review was published over a week ago. This reprint is brought to you by Cinematical's Recycling Division. We care about wasted bandwidth.)

I won't get into the precise reasons, but my friends always seem to think I'm going to LOVE the next big "pot comedy." They chuckle and assume such silly things despite the fact that the only real pothead comedies that I truly enjoy are Up in Smoke, Next Movie, and a large portion of the Harold & Kumar misadventures. Frankly I'm of the opinion that most pot comedies feel like they were written by someone very stoned, and let's just say that writers don't always do their best work when they're extra-baked. (They might THINK their stuff is hilarious, but usually it's not. That's just the weed talking.) Oh, you'll definitely find a few cannabis-caked giggles in Half-Baked, Grandma's Boy, and Smiley Face -- just not enough to sustain a whole movie, if it's me you're asking.

So it is with much pleasure, enthusiasm, and recently-applied Visine that I offer you Pineapple Express, which just may be the Casablanca of Pot Comedies. Or perhaps it's more like When Ultra-High Harry Met Super-Stoned Sally, but either way Pineapple Express showcases some of the funniest "weed culture" insights since the arrival of Richard Linklater's fantastic Dazed & Confused -- which I wouldn't call a full-bore "pot comedy," but it sure isn't shy about passing those joints around. Best of all, while Pineapple Express will absolutely appeal to both the casual and committed pot-smokers, it's also just a very funny buddy comedy / action flick parody that comes bearing the very unique stamp of director David Gordon Green.